When Opera Meets Film
Book Details
Format
Hardback or Cased Book
Book Series
Cambridge Studies in Opera
ISBN-10
0521895758
ISBN-13
9780521895750
Publisher
Cambridge University Press
Imprint
Cambridge University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 27th, 2010
Print length
344 Pages
Weight
682 grams
Dimensions
23.50 x 16.20 x 2.10 cms
Product Classification:
Film theory & criticismFilm history, theory or criticismOperaOpera
Ksh 17,800.00
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An important contribution to understanding the relationship between opera and film, this book argues that opera can reveal something fundamental about a film, and vice versa. Drawing on diverse cinematic traditions, the study explores landmark repertoire including Coppola's Godfather trilogy, Chabrol's La Cérémonie, Jewison's Moonstruck, Boyd's Aria, and Ponnelle's opera-films.
Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Ceremonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.
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