When Words Are Inadequate : Modern Dance and Transnationalism in China
by
Nan Ma
Book Details
Format
Hardback or Cased Book
Book Series
OXFORD STUDIES IN DANCE THEORY SERIES
ISBN-10
0197575307
ISBN-13
9780197575307
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 3rd, 2023
Print length
292 Pages
Weight
494 grams
Dimensions
15.60 x 23.50 x 2.00 cms
Product Classification:
Contemporary dance
Ksh 18,200.00
Not Yet Published
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When Words are Inadequate is a transnational history of modern dance written from and beyond the perspective of China. Author Nan Ma surveys the careers and choreographies of key Chinese modern dance pioneers and their connections to iconic Western counterparts, reinserting China into the multi-centered, transnational network of artistic exchange that fostered the global rise of modern dance in the twentieth century.
When Words are Inadequate is a transnational history of modern dance written from and beyond the perspective of China. Author Nan Ma extends the horizon of China studies by rewriting the cultural history of modern China from a bodily movement-based perspective through the lens of dance modernism. The book examines the careers and choreographies of four Chinese modern dance pioneers-Yu Rongling, Wu Xiaobang, Dai Ailian, and Guo Mingda-and their connections to canonical Western counterparts, including Isadora Duncan, Mary Wigman, Rudolf von Laban, and Alwin Nikolais. Tracing these Chinese pioneers'' varied experiences in Paris, Tokyo, Trinidad, London, New York, and China''s metropolises and borderlands, the book shows how their contributions adapted and reimagined the legacies of early Euro-American modern dance.In doing so, When Words are Inadequate reinserts China into the multi-centered, transnational network of artistic exchange that fostered the global rise of modern dance, further complicating the binary conceptions of center and periphery and East and West. By exploring the relationships between performance and representation, choreography and politics, and nation-building and global modernism, it situates modern dance within an intermedial circuit of literary and artistic forms, demonstrating how modern dance provided a kinesthetic alternative and complement to other sibling arts in participating in China''s successive revolutions, reforms, wars, and political movements.
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