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Where Is Abbas Kiarostami?
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Where Is Abbas Kiarostami? : Toward a Postcolonial Film-Philosophy

Book Details

Format Paperback / Softback
ISBN-10 0520397185
ISBN-13 9780520397187
Publisher University of California Press
Imprint University of California Press
Country of Manufacture GB
Country of Publication GB
Publication Date Feb 4th, 2025
Print length 370 Pages
Weight 556 grams
Dimensions 22.80 x 15.20 x 2.60 cms
Product Classification: Film theory & criticismEthnic studies
Ksh 4,500.00
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When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema—and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami's artworld, one that questions the very idea of film philosophy. Dabashi's authoritative account of the philosophical resonances of Kiarostami's oeuvre offers an iconoclastic critique of the field's Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami's legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film's provincial preoccupation with its Western heritage and charts a new path forward for film-philosophy.
When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema—and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami''s artworld, one that questions the very idea of film philosophy. Dabashi''s authoritative account of the philosophical resonances of Kiarostami''s oeuvre offers an iconoclastic critique of the field''s Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami''s legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film''s provincial preoccupation with its Western heritage and charts a new path forward for film-philosophy.

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