Who Keeps the Score on the London Stages?
Book Details
Format
Hardback or Cased Book
ISBN-10
9057551160
ISBN-13
9789057551161
Publisher
Gordon and Breach
Imprint
Harwood Academic (Medical, Reference and Social Sc
Country of Manufacture
NL
Country of Publication
GB
Publication Date
Feb 23rd, 2000
Print length
232 Pages
Weight
596 grams
Product Classification:
Theatre studies
Ksh 29,700.00
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Who Keeps the Score on the London Stages? Is a long overdue publication on Britain''s current theatre scene and included are comprehensive interviews with more than fifty major London theatre critics and theatre-makers.
How does one become a theater critic in London?
What do the theater critics think of their profession?
How are they judged by those they critique?
What do both critics and theatre-makers think of their mutual object of desire - the British Theatre?
Who Keeps the Score on the London Stages? sets out to find the answers to these questions and many more in this long overdue publication on Britain''s current theatre scene. Included are comprehensive interviews with more than fifty major London theatre critics and theater-makers, including Sir Alan Ayckbourn, Stephen Berkoff, Michael Billington, Martin Coveney, Nicholas de Jongh, Sir Richard Eyre, Sir Peter Hall, Sir Cameron Mackintosh, Adrian Noble, Sir Trevor Nunn and Irving Wardle.
The author has gathered together a lively discussion about the contrmporary state of the British theatre, drawing a picture of its strengths, weaknesses and the problems it faces today. This volume serves as a long overdue guide to the Theatre critics'' profession in Britain.
What do the theater critics think of their profession?
How are they judged by those they critique?
What do both critics and theatre-makers think of their mutual object of desire - the British Theatre?
Who Keeps the Score on the London Stages? sets out to find the answers to these questions and many more in this long overdue publication on Britain''s current theatre scene. Included are comprehensive interviews with more than fifty major London theatre critics and theater-makers, including Sir Alan Ayckbourn, Stephen Berkoff, Michael Billington, Martin Coveney, Nicholas de Jongh, Sir Richard Eyre, Sir Peter Hall, Sir Cameron Mackintosh, Adrian Noble, Sir Trevor Nunn and Irving Wardle.
The author has gathered together a lively discussion about the contrmporary state of the British theatre, drawing a picture of its strengths, weaknesses and the problems it faces today. This volume serves as a long overdue guide to the Theatre critics'' profession in Britain.
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