Why Paint?
Book Details
Format
Paperback / Softback
ISBN-10
0941548244
ISBN-13
9780941548243
Publisher
Renaissance Society at the University of Chicago
Imprint
Renaissance Society at the University of Chicago
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 1st, 1992
Print length
24 Pages
Weight
142 grams
Product Classification:
The arts: general issues
Ksh 2,900.00
Publisher Out of Stock
0 in stock
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Quality
Fast
Four Chicago-based artists, Judy Ledgerwood, Jim Lutes, Kay Rosen and Kevin Wolff, propose a variety of answers, exits and witty retorts to the often asked, and purportedly existential, question: why paint? Why not? Between the large-scale romantic landscapes of Ledgerwood, Rosen's carefully crafted word games, Lutes' calligraphic jumbles and the wily appendages of Wolff, painting has rarely seemed as varied and relevant. Art critic David Pagel looks at the crises in painting within the pretext of Modernism's decline and the ascension of Postmodernist pluralism and search for narratives. Pagel asserts that the question of how and why to paint always arrives either too late or too early, ever missing the crime in action, but there to reap the benefits of the deed.
Four Chicago-based artists, Judy Ledgerwood, Jim Lutes, Kay Rosen and Kevin Wolff, propose a variety of answers, exits and witty retorts to the often asked, and purportedly existential, question: why paint? Why not? Between the large-scale romantic landscapes of Ledgerwood, Rosen''s carefully crafted word games, Lutes'' calligraphic jumbles and the wily appendages of Wolff, painting has rarely seemed as varied and relevant. Art critic David Pagel looks at the crises in painting within the pretext of Modernism''s decline and the ascension of Postmodernist pluralism and search for narratives. Pagel asserts that the question of how and why to paint always arrives either too late or too early, ever missing the crime in action, but there to reap the benefits of the deed.
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