Why Suyá Sing : A Musical Anthropology of an Amazonian People
Book Details
Format
Multiple-Item Product
ISBN-10
0252072022
ISBN-13
9780252072024
Publisher
University of Illinois Press
Imprint
University of Illinois Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Oct 13th, 2004
Print length
170 Pages
Weight
418 grams
Dimensions
25.20 x 17.20 x 1.30 cms
Product Classification:
Music
Ksh 4,700.00
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Discusses the many roles of song in a native community.
Like many other South American Indian communities, the SuyÁ Indians of Mato Grosso, Brazil, devote a great deal of time and energy to making music, especially singing. In paperback for the first time, Anthony Seeger''s Why SuyÁ Sing considers the reasons for the importance of music for the SuyÁ--and by extension for other groups-- through an examination of myth telling, speech making, and singing in the initiation ceremony.
Based on over twenty-four months of field research and years of musical exchange, Seeger analyzes the different verbal arts and then focuses on details of musical performance. He reveals how SuyÁ singing creates euphoria out of silence, a village community out of a collection of houses, a socialized adult out of a boy, and contributes to the formation of ideas about time, space, and social identity.
This new paperback edition features an indispensable CD offering examples of the myth telling, speeches, and singing discussed, as well as a new afterword that describes the continuing use of music by the SuyÁ in their recent conflicts with cattle ranchers and soybean farmers.
Based on over twenty-four months of field research and years of musical exchange, Seeger analyzes the different verbal arts and then focuses on details of musical performance. He reveals how SuyÁ singing creates euphoria out of silence, a village community out of a collection of houses, a socialized adult out of a boy, and contributes to the formation of ideas about time, space, and social identity.
This new paperback edition features an indispensable CD offering examples of the myth telling, speeches, and singing discussed, as well as a new afterword that describes the continuing use of music by the SuyÁ in their recent conflicts with cattle ranchers and soybean farmers.
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