Wildwood (Tree of Life) Ultra Lined Journal
by
Paperblanks
Book Details
Format
Hardback or Cased Book
Book Series
Tree of Life
ISBN-10
1439793174
ISBN-13
9781439793176
Publisher
Paperblanks
Imprint
Paperblanks
Country of Manufacture
CN
Country of Publication
GB
Publication Date
Jan 7th, 2022
Print length
144 Pages
Weight
516 grams
Dimensions
18.60 x 36.90 x 2.00 cms
Product Classification:
Miscellaneous items
Ksh 4,500.00
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This delicate foliage pattern was originally crafted to adorn a 17th-century binding of the Passion Series. The original work was created in 1521 by the northern Renaissance painter Lucas van Leyden, one of the greatest engravers of his time.This edition contains not Van Leyden’s 1521 version, but rather a copy of it done by Jan Harmensz. Muller, an artist best known for his skillful reinterpretations of the work of his predecessors. So exactly replicated were his engravings, that Van Leyden’s original dates and monogram appear in Muller’s woodcut plates. Though there is no indication that Muller himself attempted to pass off his work as that of the earlier master, scratched-out marks in this edition suggest that previous owners tried to make it appear as though they owned an original Van Leyden. It is only thanks to a small engraving of Muller’s name that we know this is a reproduction.With a complicated history not unlike the tangled branches depicted on the cover, this Tree of Life binding stands out amongst the British Library’s collection of antique tomes.
This delicate foliage pattern was originally crafted to adorn a 17th-century binding of the Passion Series. The original work was created in 1521 by the northern Renaissance painter Lucas van Leyden, one of the greatest engravers of his time.<\#13><\e><\e>This edition contains not Van Leyden’s 1521 version, but rather a copy of it done by Jan Harmensz. Muller, an artist best known for his skillful reinterpretations of the work of his predecessors. So exactly replicated were his engravings, that Van Leyden’s original dates and monogram appear in Muller’s woodcut plates. Though there is no indication that Muller himself attempted to pass off his work as that of the earlier master, scratched-out marks in this edition suggest that previous owners tried to make it appear as though they owned an original Van Leyden. It is only thanks to a small engraving of Muller’s name that we know this is a reproduction.<\#13><\e><\e>With a complicated history not unlike the tangled branches depicted on the cover, this Tree of Life binding stands out amongst the British Library’s collection of antique tomes.
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