Wilhelm Leibl (1844–1900) is regarded as one of the most significant portraitists and an important representative of Realism in Europe. With large-format illustrations of 40 paintings and 60 drawings this volume accompanies the first comprehensive museum exhibition with a focus on portraits and representations of figures to be shown in Switzerland and Austria. Wilhelm Leibl explained his individual and modern figure painting with his retreat to the countryside. For Leibl the decisive factor was not that a model was attractive, but that he or she was shown in a good light. The publication highlights in insightful contributions Leibl’s position between tradition and modernity, his contribution to European Realism and his affinity for the colour black. It also discusses his relationship to Degas, his links with Hungary and his importance for the art of the twentieth and twenty-first century.
Wilhelm Leibl (18441900) is regarded as one of the most significant nineteenth-century portraitists and an important exponent of realism in Europe. After completing his studies at the Munich Academy of Art, Leibl traveled to Paris, where he was influenced by realist painters such as Gustave Courbet and Edouard Manet. In 1878, Leibl left Munich to live in a series of rural communities in the Bavarian countryside, often painting portraits of his neighbors and depicting scenes of local peasant life. In contrast to the Romantic movement then prevalent in Germany, Leibl preferred to paint in a more realistic, objective style. For Leibl the most important factor was not that a model was attractive, but that he or she was well-observed and shown in a good light, which the countryside offered in abundance.
This volume, which accompanies a comprehensive European museum exhibition, focuses on Leibls portraits and representations of figures. The book features large-format, full-color reproductions of Leibls work, including forty paintings and sixty drawings. The accompanying essays highlight Leibls position between tradition and modernity, his contribution to European realism, and his affinity for the color black. These essays also discuss his relationship to Degas, his links with Hungary, and his influence on the art of the twentieth and twenty-first centuries.
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