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Witchcraft, the Devil, and Emotions in Early Modern England
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Witchcraft, the Devil, and Emotions in Early Modern England

Book Details

Format Hardback or Cased Book
ISBN-10 1472485491
ISBN-13 9781472485496
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 21st, 2017
Print length 242 Pages
Weight 504 grams
Dimensions 16.30 x 24.10 x 2.00 cms
Ksh 27,900.00
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This book provides the first study of all English witchcraft pamphlets from the entire period of state-sanctioned witchcraft persecutions between 1563 and 1736. In so doing, it challenges previous scholarship that has viewed English witchcraft as a predominantly non-diabolical crime, and instead argues that popular witchcraft pamphlets positioned the Devil as absolutely fundamental to a witch’s ability to perform witchcraft. As a whole, this book not only provides a detailed study of the role of the Devil in English witchcraft pamphlets, but also offers a new way of understanding the nature of witchcraft beliefs in early modern England.

This book represents the first systematic study of the role of the Devil in English witchcraft pamphlets for the entire period of state-sanctioned witchcraft prosecutions (1563-1735). It provides a rereading of English witchcraft, one which moves away from an older historiography which underplays the role of the Devil in English witchcraft and instead highlights the crucial role that the Devil, often in the form of a familiar spirit, took in English witchcraft belief. One of the key ways in which this book explores the role of the Devil is through emotions. Stories of witches were made up of a complex web of emotionally implicated accusers, victims, witnesses, and supposed perpetrators. They reveal a range of emotional experiences that do not just stem from malefic witchcraft but also, and primarily, from a witch’s links with the Devil. This book, then, has two main objectives. First, to suggest that English witchcraft pamphlets challenge our understanding of English witchcraft as a predominantly non-diabolical crime, and second, to highlight how witchcraft narratives emphasized emotions as the primary motivation for witchcraft acts and accusations.


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