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Wittgenstein at the Movies
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Wittgenstein at the Movies : Cinematic Investigations

Book Details

Format Hardback or Cased Book
ISBN-10 0739148850
ISBN-13 9780739148853
Publisher Bloomsbury Publishing Plc
Imprint Lexington Books
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 24th, 2011
Print length 166 Pages
Weight 417 grams
Dimensions 23.90 x 16.20 x 1.70 cms
Ksh 18,300.00
Manufactured on Demand 0 in stock

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Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and Péter Forgács' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-siècle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.
Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman''s Wittgenstein and Péter Forgács'' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein''s life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein''s cultural significance, with the world of fin-de-siècle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.

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