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Women and Literary Celebrity in the Nineteenth Century
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Women and Literary Celebrity in the Nineteenth Century : The Transatlantic Production of Fame and Gender

Book Details

Format Hardback or Cased Book
ISBN-10 1409400735
ISBN-13 9781409400738
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date May 28th, 2012
Print length 274 Pages
Weight 680 grams
Dimensions 23.80 x 16.40 x 2.40 cms
Product Classification: Literary studies: c 1800 to c 1900
Ksh 30,600.00
Werezi Extended Catalogue 0 in stock

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Focusing on representations of women's literary celebrity in nineteenth-century biographies, autobiographical accounts, periodicals, and fiction, the author analyzes the complex codes connected to transatlantic formations of gender/sex, the body, and literary celebrity as women authors proactively resisted a backlash against their own success.
Focusing on representations of women''s literary celebrity in nineteenth-century biographies, autobiographical accounts, periodicals, and fiction, Brenda R. Weber examines the transatlantic cultural politics of visibility in relation to gender, sex, and the body. Looking both at discursive patterns and specific Anglo-American texts that foreground the figure of the successful woman writer, Weber argues that authors such as Elizabeth Gaskell, Fanny Fern, Mary Cholmondeley, Margaret Oliphant, Elizabeth Robins, Eliza Potter, and Elizabeth Keckley helped create an intelligible category of the famous writer that used celebrity as a leveraging tool for altering perceptions about femininity and female identity. Doing so, Weber demonstrates, involved an intricate gender/sex negotiation that had ramifications for what it meant to be public, professional, intelligent, and extraordinary. Weber''s persuasive account elucidates how Gaskell''s biography of Charlotte Brontë served simultaneously to support claims for Brontë''s genius and to diminish Brontë''s body in compensation for the magnitude of those claims, thus serving as a touchstone for later representations of women''s literary genius and celebrity. Fanny Fern, for example, adapts Gaskell''s maneuvers on behalf of Charlotte Brontë to portray the weak woman''s body becoming strong as it is made visible through and celebrated within the literary marketplace. Throughout her study, Weber analyzes the complex codes connected to transatlantic formations of gender/sex, the body, and literary celebrity as women authors proactively resisted an intense backlash against their own success.

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