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Women’s Dance Traditions of Uzbekistan
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Women’s Dance Traditions of Uzbekistan : Legacy of the Silk Road

Book Details

Format Paperback / Softback
ISBN-10 1350249475
ISBN-13 9781350249479
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Academic
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 18th, 2024
Print length 272 Pages
Weight 428 grams
Dimensions 15.60 x 23.40 x 2.60 cms
Product Classification: DanceContemporary dance
Ksh 3,600.00
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The first comprehensive work in English on the three major regional styles of Uzbek women’s dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizationsto a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women’s dance.

The first comprehensive work in English on the three major regional styles of Uzbek women’s dance –
Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots
to contemporary stage dance.

The book surveys the remarkable development from the earliest manifestations in ancient civilizations
to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood.

It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance.

Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women’s dance.


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