Writing Revolution in Latin America : From Marti to Garcia Marquez to Bolano
Book Details
Format
Paperback / Softback
ISBN-10
0826522599
ISBN-13
9780826522597
Publisher
Vanderbilt University Press
Imprint
Vanderbilt University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Sep 15th, 2019
Print length
272 Pages
Weight
386 grams
Dimensions
15.20 x 22.60 x 1.70 cms
Product Classification:
Literary studies: generalLiterary studies: c 1900 to c 2000Literary studies: from c 1900 -
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In the politically volatile period from the 1960s through the end of the twentieth century, Latin American authors were in direct dialogue with the violent realities of their time and place. This volume is a chronological study of the way revolution and revolutionary thinking is depicted in the fiction composed from the eye of the storm.
PROSE Awards Literature Subject Category Winner, 2020
In the politically volatile period from the 1960s through the end of the twentieth century, Latin American authors were in direct dialogue with the violent realities of their time and place. Writing Revolution in Latin America is a chronological study of the way revolution and revolutionary thinking is depicted in the fiction composed from the eye of the storm.
From Mexico to Chile, the gradual ideological evolution from a revolutionary to a neoliberal mainstream was a consequence of, on the one hand, the political hardening of the Cuban Revolution beginning in the late 1960s, and, on the other, the repression, dictatorships, and economic crises of the 1970s and beyond. Not only was socialist revolution far from the utopia many believed, but the notion that guerrilla uprisings would lead to an easy socialism proved to be unfounded. Similarly, the repressive Pinochet dictatorship in Chile led to unfathomable tragedy and social mutation.
This double-edged phenomenon of revolutionary disillusionment became highly personal for Latin American authors inside and outside Castro''s and Pinochet''s dominion. Revolution was more than a foreign affair, it was the stuff of everyday life and, therefore, of fiction.
Juan De Castro''s expansive study begins ahead of the century with José Martí in Cuba and continues through the likes of Mario Vargas Llosa in Peru, Gabriel García Márquez in Colombia, and Roberto Bolaño in Mexico (by way of Chile). The various, often contradictory ways the authors convey this precarious historical moment speaks in equal measure to the social circumstances into which these authors were thrust and to the fundamental differences in the ways they themselves witnessed history.
In the politically volatile period from the 1960s through the end of the twentieth century, Latin American authors were in direct dialogue with the violent realities of their time and place. Writing Revolution in Latin America is a chronological study of the way revolution and revolutionary thinking is depicted in the fiction composed from the eye of the storm.
From Mexico to Chile, the gradual ideological evolution from a revolutionary to a neoliberal mainstream was a consequence of, on the one hand, the political hardening of the Cuban Revolution beginning in the late 1960s, and, on the other, the repression, dictatorships, and economic crises of the 1970s and beyond. Not only was socialist revolution far from the utopia many believed, but the notion that guerrilla uprisings would lead to an easy socialism proved to be unfounded. Similarly, the repressive Pinochet dictatorship in Chile led to unfathomable tragedy and social mutation.
This double-edged phenomenon of revolutionary disillusionment became highly personal for Latin American authors inside and outside Castro''s and Pinochet''s dominion. Revolution was more than a foreign affair, it was the stuff of everyday life and, therefore, of fiction.
Juan De Castro''s expansive study begins ahead of the century with José Martí in Cuba and continues through the likes of Mario Vargas Llosa in Peru, Gabriel García Márquez in Colombia, and Roberto Bolaño in Mexico (by way of Chile). The various, often contradictory ways the authors convey this precarious historical moment speaks in equal measure to the social circumstances into which these authors were thrust and to the fundamental differences in the ways they themselves witnessed history.
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