Youth, Power, Performance : Applied Theatre with Systemically Marginalized Youth
by
Diane Conrad
Book Details
Format
Hardback or Cased Book
ISBN-10
1835950795
ISBN-13
9781835950791
Publisher
Intellect
Imprint
Intellect Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 14th, 2025
Print length
202 Pages
Weight
516 grams
Dimensions
17.60 x 25.20 x 2.10 cms
Product Classification:
Theatre studiesHigher & further education, tertiary education
Ksh 14,400.00
Werezi Extended Catalogue
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Draws on over twenty years of scholarship during Diane Conrad's academic career in applied theatre research with systemically marginalized youth in high schools, in a youth jail and with street-involved youth. Explores strategies for engaging youth, the potential for youth empowerment and applied theatre’s role in social change. 8 b&w illus.
A study on empowering systemically marginalized youth through applied theater.
Drawing on over twenty years of scholarship from Diane Conrad''s academic career in applied theater research with systemically marginalized youth, this book examines applied theater research conducted with youth in three specific contexts: alternative high schools, a youth jail, and street-involved youth.
By highlighting youths voices and youths creations, this book offers an introduction to the theoretical considerations for the research, suggests practical strategies for engaging with marginalized youth, and describes how the applied theater process developed. It also addresses specific considerations for working with incarcerated and Indigenous youth and explores the ethical considerations in conducting such work and the role of applied theater in social change. The book will be of interest to applied theater researchers, instructors, practitioners, students, drama teachers, and youth workers.
Drawing on over twenty years of scholarship from Diane Conrad''s academic career in applied theater research with systemically marginalized youth, this book examines applied theater research conducted with youth in three specific contexts: alternative high schools, a youth jail, and street-involved youth.
By highlighting youths voices and youths creations, this book offers an introduction to the theoretical considerations for the research, suggests practical strategies for engaging with marginalized youth, and describes how the applied theater process developed. It also addresses specific considerations for working with incarcerated and Indigenous youth and explores the ethical considerations in conducting such work and the role of applied theater in social change. The book will be of interest to applied theater researchers, instructors, practitioners, students, drama teachers, and youth workers.
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