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Youth Theatre
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Youth Theatre : Drama for Life

Book Details

Format Paperback / Softback
ISBN-10 1138841021
ISBN-13 9781138841024
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 8th, 2015
Print length 194 Pages
Weight 262 grams
Dimensions 14.00 x 21.60 x 2.70 cms
Product Classification: Theatre studies
Ksh 7,200.00
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Youth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes.

The book covers the nature and purpose of youth theatre, key processes - warming up, playing games, voice work, developing skills, devising, presentation - creating an appropriate environment and common applications of the youth theatre process. On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book.

Youth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes.

The book is in four parts:

  • Part 1 explores the nature and purpose of youth theatre, drawing on Michael Richardson’s extensive personal experience as a practitioner and manager.

  • Part 2 explains, in detail, the youth theatre process: warming up, playing games, voice work, developing skills, devising and the presentation of devised work.

  • Part 3 discusses how to create an appropriate environment within which the youth theatre process can be most effectively applied.

  • Part 4 covers the most common applications of the youth theatre process, namely using it in different education environments; and youth theatre productions and performance.

On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book.

As well as giving key tips and advice from his own invaluable experience, Richardson offers comments from practitioners and participants on what makes a successful youth theatre experience.

Michael Richardson has worked in youth theatre for over 20 years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK.


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