Series: Scriptural Traces

Bibles in Popular Cultures

Imag(in)ing Jesus in the Universal or Particular

Babel and Bible

Bible Divided

The Bible as a Political Tool

Reimaging the Magdalene

Bibles in Popular Cultures

Bible in Photography

Patristic Perspectives on Luke’s Transfiguration

Imag(in)ing Jesus in the Universal or Particular

Women of the Bible

Bible and Comics

Women of the Bible

Bible and Comics

Fan Fiction and Early Christian Writings

The Bible, Gender, and Reception History

Keir Hardie, the Bible, and Christian Socialism

Matthew’s Account of the Massacre of the Innocents in Light of its Reception History

Reading Other Peoples’ Texts

First World War and the Mobilization of Biblical Scholarship

Matthew’s Account of the Massacre of the Innocents in Light of its Reception History

Reimaging the Magdalene

The Politics of PurimLaw, Sovereignty and Hospitality in the Aesthetic Afterlives of Esther

Rediscovering the Marys

The Land Without Promise

Bible in Photography

Searching for Sarah in the Second Temple Era

Reception History and Biblical Studies

Storytelling the Bible at the Creation Museum, Ark Encounter, and Museum of the Bible

Fan Fiction and Early Christian Writings

Patristic Perspectives on Luke''s Transfiguration

Keir Hardie, the Bible, and Christian Socialism

Children''s Bibles in America

Musical Illuminations of Genesis Narratives