Series: Crime Files

Dime Novels and the Roots of American Detective Fiction

Masquerade, Crime and Fiction

Globalization and the State in Contemporary Crime Fiction

Deviance in Contemporary Crime Fiction

The Noir Thriller

Contemporary American Crime Fiction

Late Victorian Crime Fiction in the Shadows of Sherlock

Crime Fiction and the Holocaust

Middlebrow Feminism in Classic British Detective Fiction

100 American Crime Writers

The American Thriller

The Detective''s Companion in Crime Fiction

Contemporary American Crime Fiction

Domestic Noir

Hollywood's Detectives

Middlebrow Feminism in Classic British Detective Fiction

Irish Crime Fiction

The Contemporary Irish Detective Novel

The Legal Thriller from Gardner to Grisham

Agatha Christie

British Detective Fiction 1891–1901

Truth to Post-Truth in American Detective Fiction

Burial Plots in British Detective Fiction

Femininity, Crime and Self-Defence in Victorian Literature and Society

French and American Noir

Female Corpses in Crime Fiction

British Crime Film

Masculinity, Crime and Self-Defence in Victorian Literature

Detective Fiction and the Ghost Story

Food, Consumption, and Masculinity in American Hardboiled Fiction

Sherlock Holmes in Context

Women Writers and Detectives in Nineteenth-Century Crime Fiction

Women Writers and Detectives in Nineteenth-Century Crime Fiction

From Agatha Christie to Ruth Rendell

Burial Plots in British Detective Fiction

A Counter-History of Crime Fiction

Deconstructing True Crime Literature

Female Corpses in Crime Fiction

Crime, Fear and the Law in True Crime Stories

Queering Agatha Christie

Narratives of Enclosure in Detective Fiction

Hollywood's Detectives

Agatha Christie on Screen

Dime Novels and the Roots of American Detective Fiction

Crime, Fear and the Law in True Crime Stories

Narratives of Enclosure in Detective Fiction

Transnational Crime Fiction

Deviance in Contemporary Crime Fiction

The Contemporary Irish Detective Novel

British Crime Film