Series: Refiguring Modernism

Machine Modernism, Masculinity, and the Trauma o – The Art of Fernand Léger

The Substance and the Shadow

Bells for America

Pataphysics Unrolled

The Social and the Real

Shattered Objects

Surveying the Avant-Garde

Shattered Objects

Cold War in the White Cube – U.S. Exhibitions of Latin American Art, 1959–1968

Qayrawan – The Amuletic City

Decorative Arts of the Tunisian École – Fabrications of Modernism, Gender, and Power

Modernism and Its Merchandise

London Art Worlds

London Art Worlds

Radical Dreams

Drawing Degree Zero

Art and Form

Surveying the Avant-Garde

Literary Obscenities

Nature’s Experiments and the Search for Symbolist Form

Postcards

Fragment, Image, and Absence in 1960s Japan

Misfit Modernism

Soviet Salvage

’Pataphysics Unrolled

Nature's Experiments and the Search for Symbolist Form

Literary Obscenities

Facing Images – Medieval Japanese Art and the Problem of Modernity

Space-Age Aesthetics

Sculptors Against the State

Beyond National Identity

Léonce Rosenberg's Cubism – The Galerie L'Effort Moderne in Interwar Paris

Documenting Spain – Artists, Exhibition Culture, and the Modern Nation, 1929–1939

Sculptors Against the State

Beyond Pleasure

Ireland and the Problem of Information

Simon Hantaï and the Reserves of Painting

Viennese Jewish Modernism

Art and Form

Soviet Salvage

From Diversion to Subversion

Cezanne's Bathers

Mediating Modernity – German Literature and the "New" Media, 1895–1930

Ireland and the Problem of Information – Irish Writing, Radio, Late Modernist Communication

Misfit Modernism

Modernism and Its Merchandise