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Humour and Humanism in the Renaissance
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Humour and Humanism in the Renaissance

Book Details

Format Paperback / Softback
ISBN-10 1138375640
ISBN-13 9781138375642
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 10th, 2019
Print length 314 Pages
Weight 453 grams
Ksh 8,800.00
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The common theme of these studies is humour: how it was defined, and how used, by orators and humanists but also by court jesters, princes, peasants and housewives. Though neglected by historians, this subject was of crucial importance to writers as different as Luther, Erasmus, Thomas More and François Rabelais. The first section in this book, ''Humanist Wit'', concerns the large and multi-lingual corpus of Renaissance facetiae. The second and third parts focus on French humanist humour, Rabelais in particular, while the last section is titled ''Serious'' Humanists because humour is by no means absent from it. For the Renaissance, as Erasmus and Rabelais amply demonstrate, and as the ''minor'' authors studied here confirm, wit, whether affectionate or bitingly satirical, can coexist with, and indeed be inseparable from, serious purpose. Rabelais, as so often, said it best: ''Rire est le propre de l''homme.''
Of the articles in this volume, eight concern a world-famous author (François Rabelais); the others are studies of little-known authors (Cortesi, Corrozet, Mercier) or genres (the joke, the apophthegm). The common theme, in all but one, is humour: how it was defined, and how used, by orators and humanists but also by court jesters, princes, peasants and housewives. Though neglected by historians, this subject was of crucial importance to writers as different as Luther, Erasmus, Thomas More and François Rabelais. The book is divided into four sections. ''Humanist Wit'' concerns the large and multi-lingual corpus of Renaissance facetiae. The second and third parts focus on French humanist humour, Rabelais in particular, while the last section is titled ''"Serious" Humanists'' because humour is by no means absent from it. For the Renaissance, as Erasmus and Rabelais amply demonstrate, and as the ''minor'' authors studied here confirm, wit, whether affectionate or bitingly satirical, can coexist with, and indeed be inseparable from, serious purpose. Rabelais, as so often, said it best: ''Rire est le propre de l''homme.''

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