Inhuman Resources
Book Details
Format
Paperback / Softback
Book Series
Sternberg Press / The Antipolitical
ISBN-10
1915609364
ISBN-13
9781915609366
Publisher
Sternberg Press
Imprint
Sternberg Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 28th, 2026
Print length
320 Pages
Weight
442 grams
Dimensions
13.40 x 21.30 x 3.10 cms
Product Classification:
Social & political philosophySocial and political philosophy
Ksh 4,650.00
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On the forms of sabotage, insubordination, and invisible activity that evade the terrain of politics.
What gets stranded outside the borders of the political? Inhuman Resources develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identification on which representative politics rely.
Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the tropes of paralysis and sabotage, which leave behind notions of public citizenship to reveal an “inhuman” agency that hinges on the unexpected friction between humans, materials, machinery, and other non-human life. Yet to detect this and move away from fantasies of clarity and visibility, we need to take cues from political and artistic practices that evade such legibility, and are attuned to what happens off-screen and without recognition.
Spanning an ambitious range of subjects—from prison architecture to digital animation, legal history to self-help books, and electrical blackouts to silkworms saturated with toxic dye—Inhuman Resources gathers materials for thinking differently about insurgent activity. This is a theory that does not privilege exodus, pride, or autonomy but instead takes shape inside the very processes, architectures, appearances, and systems it seeks to ruin.
What gets stranded outside the borders of the political? Inhuman Resources develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identification on which representative politics rely.
Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the tropes of paralysis and sabotage, which leave behind notions of public citizenship to reveal an “inhuman” agency that hinges on the unexpected friction between humans, materials, machinery, and other non-human life. Yet to detect this and move away from fantasies of clarity and visibility, we need to take cues from political and artistic practices that evade such legibility, and are attuned to what happens off-screen and without recognition.
Spanning an ambitious range of subjects—from prison architecture to digital animation, legal history to self-help books, and electrical blackouts to silkworms saturated with toxic dye—Inhuman Resources gathers materials for thinking differently about insurgent activity. This is a theory that does not privilege exodus, pride, or autonomy but instead takes shape inside the very processes, architectures, appearances, and systems it seeks to ruin.
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