Theatrical Broadsword to Historical Longsword : Adapting Historical European Martial Arts to Contemporary Stage Combat

Theatrical Broadsword to Historical Longsword provides a comprehensive approach to training and choreographing stage combat with the two-handed sword, rooted in Historical European Martial Arts and bridging the gap between traditional theatrical "Broadsword" technique and authentic German Longsword play.

Theatrical Broadsword to Historical Longsword: Adapting Historical European Martial Arts to Contemporary Stage Combat provides a comprehensive approach to training and choreographing stage combat with the two-handed sword, rooted in Historical European Martial Arts and bridging the gap between traditional theatrical "Broadsword" technique and authentic German Longsword play. The book is structured in three distinct sections to provide a comprehensive learning experience. The first section serves as an introduction, examining the state of contemporary stage combat in relation to Historical European Martial Arts (HEMA) and establishing the theoretical foundation necessary for understanding the rest of the material. The second section forms the core of the book, presenting a complete 20-hour syllabus designed to align with the Skills Proficiency Test of the Society of American Fight Directors (SAFD). This syllabus equips actors with the techniques needed to execute choreography that authentically reflects HEMA while remaining safe for the stage. Through detailed instruction enriched with drills, sample choreography, and illustrative photos, readers will master a range of techniques including basic attacks and defenses, master cuts (Meisterhau), sword play in the bind (Winding), feints (Fehlen), half-sword work (Halbschwert), wrestling at the sword (Ringen-am-schwert), and the staging of disarms, kills, and wounds. The third section addresses the unique challenge of developing theatrical choreography from martial arts traditions like HEMA, where exchanges are designed for efficiency and quick resolution rather than the extended phrases typical of traditional stage combat. Beyond technique, the book also covers the essential elements of choreographing and acting a staged fight, enabling readers to create historically accurate and dramatically compelling combat sequences. This book is designed for both beginning and advanced practitioners of stage combat. Beginners will find a complete foundation in basic stage combat technique, while advanced practitioners, choreographers, and teachers will discover how to incorporate more historically accurate and dynamic longsword work into their existing understanding of the medieval two-handed sword. Martial artists interested in staging fights will benefit from clear principles and practical examples of how to safely adapt a martial art to the stage. Whether you are a student, instructor, fight director, or performer, this book provides the tools to elevate your craft with authentic, research-based techniques.