Acting techniques

The Frantic Assembly Book of Devising Theatre

Actor And The Text

Playing the Mask

Everything You Always Wanted to Know About Acting (But Were Afraid to Ask, Dear)

George Alexander Stevens and the Lecture on Heads

Performance Practice

Backwards and Forwards

Classical Audition Speeches for Women

Mapping Cultural Identity in Contemporary Australian Performance

Modern Theories of Performance

How to Stop Acting

Navigating a Career in Performance

The changing spaces of television acting

Stop Memorizing Your Lines

Teaching What You Want to Learn

Women''s Comedic Monologues That Are Actually Funny

Showgirl and the Prince

Teaching Racial Justice Theatre and Performance

Theatrical Broadsword to Historical Longsword

Ibsen’s Theatre of Ritualistic Visions

Performing Women

Contemporary American Monologue

New Readings in American Drama

Acting for Love & Money

Craft of Screen Acting

Voice Training Through Acting and Movement

Greek Tragedy and the Contemporary Actor

The Complete Voice and Speech Workout

Source Work for Actors

Discovering the Michael Chekhov Technique

Human Theatre and Energetic Alchemy

Acting for the Camera

Fiction''s Truth

Acting for the Silent Screen

Actor''s Guide to Getting Work

Contemporary Monologues for Women

The Reason to Sing

Performing with Resilience

Mental Health Coordination for Stage and Screen

Experiencing Speech

The Theatre of the Oppressed in Practice Today

Sam Shepard

Acting for the Camera

Beckett on Film

Theatrical Improvisation, Consciousness, and Cognition

Actors and Acting in Shakespeare''s Time

Performing Shakespeare Unrehearsed

Samuel Beckett’s Abstract Drama

Performing Live Comedy

Turning the Page