Series: Ashgate Interdisciplinary Studies in Opera

Opera in Transnational Contexts

Participatory Opera

Contextualizing Melodrama in the Czech Lands

Einstein on the Beach

Opera Indigene: Re/presenting First Nations and Indigenous Cultures

English Dramatick Opera, 1661-1706

Modernism and the Cult of Mountains

English Dramatick Opera, 1661–1706

Opera as Soundtrack

Opera Indigene: Re/presenting First Nations and Indigenous Cultures

The Grand Theater of the World

Masque and Opera in England, 1656-1688

National Identity in Contemporary Australian Opera

Morality and Viennese Opera in the Age of Mozart and Beethoven

National Identity in Contemporary Australian Opera

Claudio Monteverdi''s Venetian Operas

Musicality in Theatre

Claudio Monteverdi’s Venetian Operas

Curating Opera

Postopera

Opera As Soundtrack

Made for the Stage: The Operas of Jean-Baptiste Lully

The Business of Opera

Genre Beyond Borders

Digital Scenography in Opera in the Twenty-First Century

Morality and Viennese Opera in the Age of Mozart and Beethoven

The Grand Theater of the World

The Operas of Rameau

The Original Portrayal of Mozart’s Don Giovanni

Contextualizing Melodrama in the Czech Lands

Musicality in Theatre

Performing Salome, Revealing Stories

Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples

Opera Outside the Box

The Operatic Archive

Opera Outside the Box

Curating Opera

Modernism and the Cult of Mountains

Grand Opera Outside Paris

Grétry''s Operas and the French Public

Melodramatic Voices

The Operatic Archive

Performing Salome, Revealing Stories

Performing Homer

Readying Cavalli''s Operas for the Stage

Puccini?s La Fanciulla Del West and American Musical Identity

Grétry''s Operas and the French Public

Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples

The Original Portrayal of Mozart''s Don Giovanni

Postopera