Series: Cambridge Studies in Opera

Situating Opera

When Opera Meets Film

Opera in the Novel from Balzac to Proust

Verdi, Opera, Women

Sentimental Opera

Foreign Opera at the London Playhouses

Saint-Saëns and the Stage

Technology and the Diva

Opera, Liberalism, and Antisemitism in Nineteenth-Century France

Opera and Modern Spectatorship in Late Nineteenth-Century Italy

Foreign Opera at the London Playhouses

Italian Opera in the Age of the American Revolution

Opera in Postwar Venice

German Opera

Verdi, Opera, Women

Saint-Saëns and the Stage

Opera in the Age of Rousseau

Johann Strauss and Vienna

Three Modes of Perception in Mozart

Opera in the Age of Rousseau

The Prima Donna and Opera, 1815-1930

Aesthetics of Opera in the Ancien Regime, 1647 1785

Wagner''s Ring Cycle and the Greeks

Opera in Postwar Venice

The Rival Sirens

Dance and Drama in French Baroque Opera

Opera and Drama in Eighteenth-Century London

Rounding Wagner''s Mountain

The Rival Sirens

The Prima Donna and Opera, 1815 1930

Opera, Liberalism, and Antisemitism in Nineteenth-Century France

Opera Acts

Opera Buffa in Mozart''s Vienna

Rounding Wagner''s Mountain

Rossini in Restoration Paris

Opera and Modern Spectatorship in Late Nineteenth-Century Italy

Opera Buffa in Mozart''s Vienna

Opera and Drama in Eighteenth-Century London

Italian Opera in the Age of the American Revolution

Landscape and Gender in Italian Opera

Rossini in Restoration Paris

Dance and Drama in French Baroque Opera

The Puccini Problem

Female Singers on the French Stage, 1830–1848

Landscape and Gender in Italian Opera

Sentimental Opera

Aesthetics of Opera in the Ancien Régime, 1647-1785

Three Modes of Perception in Mozart

The Puccini Problem

Technology and the Diva